Langston Hughes’ poem “Harlem” inspired the title of Lorraine Hansberry’s play A Raisin in the Sun. A story that focuses greatly on dreams that are pushed aside, returned to, and changed for the characters of Hansberry’s play, Park Square’s current production shines new light into the Younger family. I find this poem relevant not just too the production but also to the current social and political situation I woke up to Wednesday morning. I feel many dreams are deferred now in the wake of an unstable climate and progress we have made feels as if it has suddenly slipped away. I’ve struggled to write my review of this show because of this and, while I don’t want to make this post political, theater is political and I can’t ignore how it feels to see a production of Hansberry’s play occurring now.
If you’d like a more traditional review, please check out those of my fellow Twin Cities Theater Bloggers. Warren Bowles superb direction in the Andy Boss space as well as the stellar performances of Aimee Bryant, Darius Dotch, Am’Ber Montgomery, Greta Ogelsby, and Andre G. Miles as the Youngers (as well as Theo Langason, Cage Sebastian Pierre, Robert Gardner, Neal R. Hazard, and Kevin Sanders Nelson, who comprise the rest of the cast) certainly deserve recognition. But unfortunately, this blogger’s mind is too caught in motions of fear and disbelief of current events to accurately describe to you the more theatrical elements of this production. However, I would like to focus on the talkback that I participated in along with fellow blogger Becki Iverson who blogs at Compendium. We were invited to have a discussion with the audience after a performance and I greatly enjoyed this conversation about Hansberry, family drama, and racism throughout the United States, including Minnesota. Audience engagement is a passion of mine and with a show like A Raisin in the Sun, having a moment to consider the importance of the issues at hand along with others who have just watched the performance is really wonderful as an audience member, blogger, and playwright.
Right now, as a white ally (and also a bi woman with mental illness) who feels as if she has failed to do enough, is yearning to do more, and is also afraid of what might lie ahead, I can only hope that people can walk out of a show like A Raisin in the Sun having learned something or understanding something new or seeing a powerful story that makes them reconsider their own worldview. There’s a line that really struck me in the production, delivered by Robert Gardner who plays Lindner, who arrives to discourage the Youngers from moving into a currently all-white neighborhood. “You just can’t force people to change their hearts, son,” he says. This line has stuck with me as I consider the power that I hope theater does to do just that – change hearts. Not forcibly – you can’t force anyone to change – but to encourage, to give voice to different stories, different perspective, to tales that would otherwise go unheard and shine a light on what people aren’t currently seeing. Right now there’s a clamoring and perceived victory for a voice that is not one that represents the US I know, the US I want to see, and the US I want to love. The utter disconnect that I see between those that share my opinion and those who disagree with us baffles me and I struggle to find the words to describe to others what I see and what I believe. I look to the arts to help me express that, to find a way to communicate where other forms of discussion have failed me. I am grateful for A Raisin in the Sun for providing such a form of communication, from the first time I read it in high school to the discussion last Sunday after the show. It encourages me to keep talking and to keep working and I hope that it encourages others as well.
A Raisin in the Sun is written by directed by Lorraine Hansberry and directed by Warren C. Bowles. It is playing now through November 20th. Tickets and show information can be found on Park Square’s website.
“Harlem” by Langston’s Hughes is taken from Poetry Foundation.org.